Friday, June 7, 2019

Using Authorship to promote better writers – Part 6


WHAT?
To get a sense of whether or not the children are getting the idea of activating their nouns and can now apply this in a range of text types I decided to teach them another observational poem but this time the structure was different. Instead of the verb following the noun in the same line, it was written with a capital letter on the next line.

The lesson sequence started the same, with the children gluing in their exemplar, this time it was an excerpt of a poem written in 1914 by Wilfred Owen. We were given this lesson plan by Verity in our last PD session on authorship. I didn’t even know who Wilfred Owen was before then, he is a master of poetry who writes with realism and compassion using imagery to explain the contrast and reality of the first World War.



As part of the analysis I guided the children to ‘notice’ how the author had activated the nouns in the poem and how it was structured differently than before. I spent some time unpacking the meaning of words like ‘fleshes’ so the children could understand the imagery used. There were some gasps when I said that it was the skin of the boys until I remarked that we don’t swim in our clothes.

I encouraged the children to make connections to our wetlands and the piece of writing that they had just completed. The children were able to activate the nouns successfully and made precise language choice, but more importantly could verbalise what they had been learning.

The children were then lead through the visualisation process and then were created the success criteria together on what we had noticed in the analysis. The children were all  forthcoming with number of sentences they needed to write, to activate the nouns and use precise language choice. I deliberately scaffolded the structure and setting out of the poem. Also with the children, I created a word bank of nouns and verbs that they could use in their writing.

The children were then encouraged to write about our wetlands and use the new structure. There were a number of  children working with me in a workshop situation and a few others with my student teacher. There was a busy buzz as they recorded their ideas to create their own poetry.

As the lesson came to an end, the children were once more brought down to the mat into a helping circle and encouraged to share their work. Again I used the ‘ice block’ sticks to randomly select who was sharing. The children activated the nouns and are so much better at choosing words to say exactly what they mean.

SO WHAT?
I felt that the lesson went as expected and the children understand the lesson structure although we do need more practice on being happy to all close our eyes and ‘run the movie in our heads’ before writing.

When marking the children’s work I noticed that the children activated the nouns and used precise language choice to say what they meant. But they hadn’t followed the text structure of having the noun on one line followed by the verb on the next line and those children who were confident writers hadn’t pushed themselves to add more detail to create picture in the reader’s mind. Some had even used the same endings - in the wetlands.


NOW WHAT?
I need to repeat this lesson again but use a better stimulus as this is what I feel is missing. Luckily after lunch the school had an unexpected fire drill in the drizzle and before our allotted PE time and the children were huddled under umbrellas waiting find out why the alarm had gone off. As well after school there was fierce thunder storm above the area where most of the children lived so that may activate better writing.

My aim this term was for the children to give each other feedback and take action on to improve the message in our work. This still a work in progress.

“A fine writer will always make you feel that [you're right on the spot, watching the plot happen]. And don't worry about the bits you can't understand. Sit back and allow the words to wash around you, like music.”
- Matilda written by Roald Dahl


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