Sunday, June 14, 2020

How can I use poetry writing to encourage success in my emergent writers? Part 1

WHAT?

As part of my writing development, I took part in the PD from Terry Locke provided during the Lockdown. I was very apprehensive due to the quality of the other staff members who took part as well. I don’t consider myself a good writer although I know since doing blog posts and working with Verity Short, there has been some improvement.

 

We were given the Powerpoint and exemplars before the writing lessons with Terry at 7.30 – 9.30pm on a Thursday night via a Zoom conference. The team of teachers had some management, beginning teachers, and even the principal. We also were put into peer groups to discuss our thoughts and findings during the PD. The main aim of the sessions is that the teachers were to become the writers so that we could experience the feelings and anxieties that the children experience during writing.

In the first half of our first lesson, Terry asked us to complete a questionnaire about our own writing apprehension and asked us to share if we wished what sort of results we had. These were to include our positive and negative experiences (mainly from school) around our own experiences as developing writers. Terry asked us to connect our feelings about ourselves as writers to these experiences. I totally got it, not that I shared my experience I was able to align myself with the feeling of others in the group.

The next part of the lesson was where Terry asked and explained what poetry is and how it transforms the reader to ‘see’ what the author sees through their choice of words and create a picture for the reader. Terry explained that our central role as teachers had some aspects to think about:

·      Can we connect this issue with our previous sharings around our experiences of learning to write?

·      Most teachers don’t know how to respond to pupils’ writing, in part because they are not writers themselves.

·      They are insecure in their knowledge of what to say.

Terry then went on to say that he would facilitate our confidence in using metalanguage related to poetry over the next four sessions. He went on to discuss what ‘concrete and abstract’ vocabulary is and that we were to complete a writing task.

Concrete language refers to words that enable a reader to respond sensuously to an experience. Sensuous experience can be visual (sight images), aural (hearing images), tactile (touch images), gustatory (taste images) or olfactory (smell images).

 

Example: The old man lay huddled on the pitted surface of the dusty and rutted road. His skinny arms clasped a ragged and dirty child. Its head lolled back and its eyes had a marble stillness. Near its open mouth, buzzed a large, blue fly.

Abstract language: The language of ideas or concepts. Its main purpose is to reason through generalization and argument.

Example: There is no such thing as a just war. There may be just causes. But there can be no justification for the notion that arguments can be solved by force.

Our task was to write about a place, there weren’t any parameters but to write to describe for 20 minutes uninterrupted and then before sharing underline or highlight the concrete and abstract language we used. We were put into break out rooms to share with others in our teams. I wrote mine by hand out the swimming pool but I was awe struck by the cleverness of the others.

 

Our session finished with Terry outlining the homework task which was an outline a brief ( a set of instructions) to complete a writing task. My breakout team met on the Tuesday before to create a brief in preparation for the following Thursday session. Also as part of the small group meeting we had to decide who would share their writing with Terry for feedback.

 

SO WHAT?

I experienced some doubts and uncertainty of my abilities to write considering the calibre of my colleagues but Terry had set up guidelines for peer responses and how that we were to respond to the work of others. I found this easy as a responder as I was amazed what my colleagues could write in such a short time.

When it came for me to share, I feel that my piece was clunky compared and I had possibly missed the main intention of the writing task set by Terry. I was blown away by what the others could ‘see’ in my writing. I struggled with the rule – During these responses, for at least the first round, the writer does not say anything and should let the writing stand alone and speak for itself. The writer may take notes.  I really wanted to say “thank you”.

 

NOW WHAT?

 

This has made me think about my responses to my children’s writing and how simple but effective specific feedback can be. As part of the Lockdown I am swapped by the children’s work on Seesaw and now I need to use this platform to create writers who want to write.

 

Also I happier to share in my next session of writing with Terry. I do find his voice very droning but I will make myself listen. I really enjoyed the break out sessions where I could bounce back ideas with my colleagues.

 “I think it’s very important to have a feedback loop, where you’re constantly thinking about what you’ve done and how you could be doing it better.” Elon Musk